I talked to
Andrew on October 18th, 2017.
We discussed the
new painting work and we had a very good conversation about the work. It is less constructed and built up than the work I did
during the past years, with all the little shapes and colours and maps. It
comes from a different place, more from the body, I am in the painting while I
work, dripping and rubbing paint into the canvas with my hands. (see end of new
film ‘History and Personal Memories’ to see the process: https://vimeo.com/238843069,
Artists we
discussed and to look at – in the context of looking at artists’ work who were –
at one point in their lives - clearly not so concerned what the viewer would
say: Louise Bourgeois (Andrew sent link),
also: Matisse, Monet, deKooning, Basquiat…
We discussed
the project report and Andrew encouraged me to ‘do with words what I cannot do
with paint or with the video’. I am considering writing in German, because I
realize there is a huge gap between my use of German and my use of English.
Andrew suggested I might want to present the paper in two languages.
Where does the
texts in my paintings come from? I have never used text in my work before, but
now it felt like an obvious response while reading Foucault. We discussed history
of text in painting, I might also want to do more research on this in the next
weeks. Andrew recommended to look up artists like Colin McCahon and Nancy Spero
(I realize I had seen her work before, just did not remember the name…) who
were using text in their paintings or painting words.
It was also
important for me to mention the presentation of the work for the MFA exhibition.
It would be very important to have a day at least to set up the work. Some
months ago, I thought I would present a video for the MFA and maybe bring 1 to
2 paintings. With the new body work though, I feel it would be very important
to bring those big canvases (each 8 by 11.5 feet). During the next few weeks I
will discuss with my MFA group how we can present our work together in Berlin.
Also look at:
John Walker (UK), Robert Motherwell’s Je t’aime paintings, Julian Schnabel,
Andrew asked
what I will be working on in the next two months: for the exhibition ‘History and
Personal Memory” in February (and for the MFA exhibition) I am working on a new
video with the same title. I intend to discuss a raw version of this video with
Jean Marie at the beginning of November. I hope I will have a more finished
version then for my November 15th blog and then, most importantly I
would like to work on the 5 canvases (all 8 by 11.5) which I have started in
the garden during the last 2 months.
One by one I
would like to bring them into the studio, like this one, which I think is finished
now, and respond to them in the studio, with oil paint, charcoal, oil sticks
and pastels, and text. I hope to have these finished by the end of this year.
Video : We
talked about whether to use subtitles and we both agreed, that subtitles would
only take away from the imagery. A good solution might be, when presenting the
film, to provide a text and a translated text, printed on paper.
Thank you for your valuable feedback to my work Andrew.
Thank you for your valuable feedback to my work Andrew.
Ps. Here is
the painting which will go into the group exhibition in Edmonton. I will attend
the opening on November 1st.
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